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Several of David Clare's postcards refer to Castle Hill as the entrance
to Dudley, so we'll make it our starting point as well. The photo below
was taken after 1900, but the postcard it adorned was never posted,
and postcards notoriously stay on sale long after they go out of date.
At left we have the old Station Hotel with a public drinking fountain
in front of it. Although people could use it, its primary purpose was
to refresh the horses toiling up and down the hill - and four can be
seen below. Hiding the nearer trough is a small hand-cart, unusually
balanced on a large thin, central wheel. The design might be to allow
it to be towed behind a bicycle, though this one looks hand-powered
only. We'd welcome suggestions as to the likely trades it was used for. |
![]() Lastly, we have the lamp that dominates the centre of the picture. Despite its appearance, it was probably electric. It could have been a conversion from gas - probably in the 1890s or 1900s - but it might have been manufactured that way. This seems especially likely, given that there is no obvious sign of a bar sticking out just below the lantern for the gaslighter to lean his ladder against (bulb changing would be far less frequent, omitting the bar an attractive economy). It's often forgotten that technology is transitional so that old patterns are just adapted until the new technology finds its own way forward. This is why the earliest railway carriages looked just like stage coaches with flanged wheels added, the flesh-and-blood horses taken away, and an iron horse coupled up in their place. |
Another view similar to the one above, but seeing more of the hotel and the drinking fountain. To the right is a capped figure with a cumbersome lifebuoy-shaped wooden tray slung from his shoulders. These trays were used for itinerant trading of very small items such as needles, cotton and so forth - hence allowing a large stock in that seemingly tiny "shop".This card was posted on 24th June 1924 but probably based on a prewar photo. One thing done to refresh elderly cards (and respond to new demands from their clientele) was to reissue them in colour - usually overpainted by hand (and not always very well). In some cases, little more than the sky was done, as we see here, although some of the blue has migrated into the hotel's roof tiles and Tudor-style white panels. Below, we see a much better example with the whole card coloured and most of it bar the Opera House roof done well. The result is a very attractive card, which is all the manufacturer and the buyer ever wanted. But some colouring systems were very crude and could severely degrade an image, destroying detail that would make them even more interesting today. |
David’s collection does not include a full view of the Tudor-style black and white hotel, but enough can be seen to gain a good impression. Surprisingly the hotel was newly built in 1900 but survived only 38 years before being replaced by its current namesake. In front of the old hotel is an elaborate drinking fountain for horses and people, first erected in 1862 at the top of the hill where the Earl of Dudley’s statue now reigns, and moved down to this location when displaced. It survived here until 1962. There is a suggestion that it was relocated to a park somewhere; if so, we don't know where. |
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Text: Harry Drummond |
![]() | Remainder copyright © 2005 Dudley Mall. | ![]() |